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A book cover with bold, geometric shapes in black, pink, and lime green. The text reads The Graphic Language of Neville Brody in white and black. The Thames & Hudson logo appears in the lower left corner.
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An open magazine spread features dense columns of text, colorful graphics, and bold section headers. The left page headline reads INTRO/STRUCTURED CHAOS in large black and pink text, overlaying text and images.
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Neville Brody – The Graphic Language of Neville Brody 3 (softback book in slipcase)

A wide-ranging survey of nearly three decades of Neville Brody’s graphic and typographic experimentation, tracing the ideas and design systems that have shaped one of the most innovative visual practices of the past half-century.

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One of the most consistently innovative graphic designers of the past half-century, Neville Brody has built a practice at the point where graphic design meets graphic art — a place where boundaries dissolve and influences from art, fashion, music, and both high and low culture collide.

“The Graphic Language of Neville Brody 3” brings together nearly three decades of his work, organized into thematic sections that trace his typographic experimentation, cultural subversion, and design systems. Richly illustrated, the book examines each project in depth, charting the evolution of a visual language that remains anchored to the ideas that have driven Brody’s career, from global brand identities to editorial design and typographic innovation.

“Neville Brody is one of a tiny group of designers who combine strategically focused graphic design (Samsung, The Times, etc.) with an equally rich body of expressive and highly personal work — what Erik Spiekermann has called Brody’s ‘painterly’ approach to type. Many aspire to work in both fields. Few achieve it.” — Adrian Shaughnessy, co-founder, Unit Editions

About Neville Brody: Neville Brody is a globally acclaimed creative director, designer, typographer and brand strategist whose four-decade career spans album sleeves, magazine direction for The Face and Arena, and a vast portfolio of editorial, brand identity, information, interface and typographic systems for clients worldwide. His work remains a benchmark for boldness, experimentation and cultural impact.

(images: Unit Editions)

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